Original piano music for daily ballet class —
written at the barre, for the barre.
The Hyper-Classical Ballet Class Music series gives ballet teachers and accompanists entirely original repertoire for the complete barre sequence: clear counts, singing melodies, and the classical style your dancers already move to — with no licensing worries and nothing recycled from the standard warhorses.
Performance Editions
Available today — as instant PDF downloads, or as printed paperback scores.
Hyper-Classical Ballet Class Music for Piano
The complete barre sequence in one volume — from pliés to grands battements. Every piece is original material by a working ballet accompanist, composed for the tempi, phrasing, and counts of real daily class.
Hyper-Classical Ballet Class Music for Piano
Eighteen further pieces for all essential barre exercises, expanding the harmonic range of the series — fresh music for teachers who want their barre to sound new again, morning after morning.
The Hyper-Classical Series
The series covers the complete barre in Barre, Volumes 1–4, alongside a set of single-exercise collections:
Grand Battement · Battement Tendu · Battement Fondu
Battement Frappé · Battement Jeté · Temps Lié
Further volumes for centre, allegro, and pointe work are in preparation. New releases appear on this page first.
Music
Beyond the ballet studio — the concert catalogue of Valentin Sarić, founder of Hyper-Classical Concert Music of the 21st Century.
Browse the full catalogue
Listen: Spotify · YouTube · Scores on IMSLP
Symphonies
- Nevera — symphony in four movements (2025)
- Sinfonía de los Muros Eternos — symphony in five movements, New Mediterranean Legacy (2025)
- Korkyra Nigra (2022–2023)
- Nettuno (2022–2023)
- Les Jardins de Delaphodia (2022)
Concertos & concertante works
- Capra di Roma — clarinet concerto in three movements (2026)
- Piazza San Marco — grand concerto, Concerti Veneziani (2023; expanded 2026)
- Milagro — Concerto Primo per pianoforte (2023)
- La nobiltà nobilita — Concerto Secondo (2022)
- Paris Valse du Nouvel An — Valse Concertante et Symphonique for piano and orchestra (2024)
- La Bellissima Ragazza nel Pallone — solo movement for piano and orchestra (2022)
Ballets & symphonic ballet fantasias
- Rumpelstilskin — ballet, with overture and scenes (2026)
- Sub Astra (2024)
- Giganti Buoni e Titanesse Belle (2023)
- Anno Domini Mundi (2022)
- Amor Vincit Omnia (2022)
- Barbarissima, Rigorissima, Donna Celeste (2022)
Symphonic boleros
- Anubis — Symphonic Bolero Grandissimo, in four parts (2024)
- Montu, God of War (2024)
- Isis, Queen of Heaven (2024)
- Amon Ra (2023)
- Tears of Isis (2023)
- Osiris I — Seth's Deception (2023)
- El Hombre por Todos los Ritmos (2023)
The Gravity Dance cycle
An ongoing cycle of short orchestral pieces named for moons and celestial bodies (2024–2025):
- Europa · Ganymede · Galatea · Deimos · Phobos · Triton · Rhea · Mimas · Iapetus · Hyperion · Umbriel · Miranda · Enceladus · Epimetheus · Neso · Proteus · Phoebe · Trigo
Sacred & choral
- Stabat Mater — complete setting (2024–2025)
- Sacral Music for Children — including Gloria, Agnus Dei, Ave Maria, Veni Sancte Spiritus (2022–2023)
Chamber, Christmas & orchestral works
- HIKO-MO Nos. 1–3 — for violin/clarinet/recorder and horn (2024)
- Christmas Bolero — large-scale symphonic bolero, c. 13 minutes (2023)
- New Christmas Transcendence, Vols. 1–4 (2023–2024)
- Fuga Triomfale (2022)
- "Erinnerung" Polka (2022)
- Mighty Mathilda — short symphonic movement (2022)
- Over 110 arrangements catalogued on IMSLP
About
Valentin Sarić (b. 1992, Zagreb) is a Croatian composer, pianist, and organist. He received his foundational training at the Pavao Markovac Music School (Theory Department) and the School of Applied Arts and Design in Zagreb, and completed his studies at the Institute of Church Music "Albe Vidaković" and the Academy of Music, University of Zagreb (Muzička akademija u Zagrebu).
He is the founder of Hyper-Classical Concert Music of the 21st Century, a compositional movement writing symphonies, concertos, ballets, and piano music rooted in the harmonic language of the classical tradition. His catalogue spans symphonies, symphonic boleros, ballet fantasias, sacred works, and chamber music, with recordings on Spotify and YouTube and scores on IMSLP.
He works daily as a ballet accompanist at a school of classical ballet in Zagreb — and the Hyper-Classical Ballet Class Music series grew directly out of that work: music written at the piano in the studio, tested against real exercises and real dancers, then engraved as clean performance scores. Everything in the series is entirely original, free of copyright complications, so teachers and accompanists can use it in class, in recordings, and in teaching materials without a second thought.
Beyond music, Sarić is also a literary translator and writer — see his full profile at valentinsaric.com.